Pascale Aebischer and Rachael Nicholas:

“Creation Theatre and Big Telly’s The Tempest: Digital Theatre and the Performing Audience”

---

Sarah Bay-Cheng:

“Theatre without Theatre: Performance Transmission as Translation” (Keynote lecture)

---

Anna Burzynska:

Rehearsing post-capitalist theatre

---

Bernadette Cochrane:

Capitalising on the back catalogue: streaming theatre in the age of COVID.

---

Cyrielle Garson:

“Reinventing VR during the Covid-19 Crisis: A Preliminary View of its Potential for the Theatre Sector”

---

Richard Huddleson:

On the Edge (Again?):  Irish-Language Theatre in Covidian Times

---

Jane Macnaughton:

The past, present and future of COVID-19: the role of medical humanities

---

Ulf Otto:

“Theaters digital epistemology: on FOMO, the privilege of presence and research driven by data”

---

Tamara Radak:

“Dying … to connect”: Dead Centre’s To Be a Machine (Version 1.0) (2020)

---

Zoë Seaton:

Hijacking the Familiar: The Work of Big Telly Theatre Company (Keynote lecture)

---

Kirsty Sedgman:

“How  To  Be Together (Even When We’re Apart):  Audience  Engagement  from  the  Live to the Digital Domain“

---

Sally Shuttleworth:

“Contagion Cabaret in the Time of COVID” (Keynote lecture)

---

Isabel Stuart:

The Feelings in the Room: Reframing Emotions in (post) COVID-19 Theatre Spectators

---

Marlena Tronicke:

Lives under Lockdown: Negotiations of Precarity in the National Theatre of Scotland and the BBC’s Scenes for Survival Series

---

Amy Willshire:

“Theater to heal”

---

John Wyver:

“The language of lockdown: split-screens and spatial montages in online performance adaptations during and beyond the pandemic”